Home  ›  Rachel and Finn Duet Born Again

Rachel and Finn Duet Born Again

Written By lundi 16 mai 2022 Add Comment Edit

fourth episode of the second season of Glee

"Duets"
Glee episode
Episode no. Flavor 2
Episode 4
Directed by Eric Stoltz
Written by Ian Brennan
Featured music "Don't Go Breaking My Heart"
"River Deep – Mountain Loftier"
"Le Jazz Hot!"
"Sing!"
"With You I'm Born Once again"
"Lucky"
"Happy Days Are Here Once again / Become Happy"
Production lawmaking 2ARC04
Original air date October 12, 2010 (2010-x-12)
Invitee appearances
  • Harry Shum, Jr. as Mike Chang
  • Chord Overstreet every bit Sam Evans
  • Max Adler as Dave Karofsky
  • James Earl as Azimio
Episode chronology
←Previous
"Grilled Cheesus" 		Next →
"The Rocky Horror Glee Testify"
Glee (season two)
List of episodes

"Duets" is the fourth episode of the second season of the American television series Glee, and the xx-6th episode overall. Information technology was written past series creator Ian Brennan, directed past Eric Stoltz,[one] and premiered on Fox on October 12, 2010. The episode featured seven embrace versions, including a mash-up of "Happy Days Are Here Again" and "Get Happy" by Barbra Streisand and Judy Garland, respectively.

In the episode, transfer student Sam Evans (Chord Overstreet) joins the glee lodge. Director Volition Schuester (Matthew Morrison) assigns the members to perform a duet with another classmate, and offers a prize for the best performance. The students grade their duos and begin practicing, testing several relationships and initiating others; after first existence recruited by Kurt Hummel (Chris Colfer), Sam ultimately finds himself partnered with Quinn Fabray (Dianna Agron).

"Duets" received generally positive reviews from critics, and many praised the bear witness for its character development and varied song choices. The episode also featured a neck-nuzzle betwixt Santana (Naya Rivera) and Brittany (Heather Morris), which was a subject of interest to many critics and led Christie Keith of AfterEllen.com to refer to the episode as "queerest episode of any serial that'south ever been on boob tube".[ii] In its original broadcast, "Duets" was watched by 11.36 one thousand thousand American viewers. It was the height-rated program of the night in the eighteen–49 demographic, attaining a 4.7/thirteen Nielsen rating/share. Both viewership and ratings rose from the previous episode, "Grilled Cheesus".

Plot [edit]

Glee society managing director Volition Schuester (Matthew Morrison) announces a duets assignment and contest; the prize for the winning duo is dinner at Breadstix. He tells them that lodge fellow member Puck (Marking Salling) has been sent to juvenile detention for stealing an ATM, and introduces a new member, Sam Evans (Chord Overstreet). Kurt (Chris Colfer) suspects that Sam is gay and asks him to exist his duet partner; Sam agrees. Club co-captain Finn Hudson (Cory Monteith) separately attempts to convince them not to exist partners, as he fears that Sam will be bullied to the point of quitting if he sings a duet with some other guy, but Sam insists on honoring his given give-and-take to Kurt, and Kurt is all the same angry at Finn for some homophobic comments he made when they were roommates.[nb 1] Later on his father Burt (Mike O'Malley) points out that just as Kurt had a crush on Finn the yr before, he may now be taking advantage of Sam, Kurt releases Sam from their partnership, and every bit his contest entry sings "Le Jazz Hot!" from Victor Victoria in a "duet" with himself. Kurt comes away from this feeling lonelier than ever and wonders if he will ever truly exist accepted for who he is by his peers and family unit and withdraws from anybody else in the group.

Cheerleaders Santana (Naya Rivera) and Brittany (Heather Morris) make out, only when Brittany suggests they sing Melissa Etheridge'due south "Come to My Window" together, Santana refuses and trivializes their relationship. Santana believes her best chance of winning is by partnering with Mercedes (Amber Riley), and together they sing "River Deep – Mountain High". Brittany pairs up with Artie (Kevin McHale), and they start dating. Artie loses his virginity to Brittany who carried him to bed, simply before they compete Santana tells him that Brittany merely wanted him for his voice and then she could win the competition. He is securely upset that his beginning sexual experience was the result of such petty motivations, so he breaks upward with Brittany and dissolves their partnership. Tina (Jenna Ushkowitz) and her beau Mike (Harry Shum, Jr.) argue about whether they should duet at all, but he ultimately agrees to bring together her on "Sing!" from A Chorus Line, his first solo performance for glee club; their duet draws praise from Will.

Finn and his girlfriend Rachel Berry (Lea Michele) initially practice singing "Don't Go Breaking My Heart", just Rachel suggests they should throw the competition so Sam can win, to make him more likely to stay in the glee society. When Sam has a slushee thrown in his face by bullies, Quinn (Dianna Agron) helps him to clean upwards. They afterward become duet partners, and during a rehearsal he attempts to kiss her. Quinn is upset and tells him they cannot sing together, just she is later convinced to reconsider by Rachel. Rachel and Finn, dressed as a schoolgirl and a priest in an intentionally offensive move to damage their chances of victory, perform "With Y'all I'm Born Again" by Billy Preston and Syreeta Wright. Sam and Quinn sing "Lucky" by Jason Mraz and Colbie Caillat. The club members all vote for themselves except Finn and Rachel, who vote for the winners, Sam and Quinn. Over the victory dinner at Breadstix they grade a bond, and Quinn tells Sam that she considers the meal their offset date.

Noticing that Kurt is solitary, Rachel tells him how much the club members value him and asks him to duet with her for fun now that the competition is over in an human activity of solidarity. The episode ends with them singing the Judy Garland/Barbra Streisand mash-up of "Happy Days Are Here Over again" and "Get Happy" for the glee club.

Production [edit]

"Duets" develops the relationship between Santana (Naya Rivera, left) and Brittany (Heather Morris, right).

In "Duets", Brittany and Santana are shown together in bed. A physical relationship between the two was first alluded to in the season i episode "Sectionals".[3] Rivera sought clarification on the nature of their relationship from "Sectionals" managing director Brad Falchuk, who informed her that the 2 characters had been intimate in the past. Series creator Ryan White potato told Morris that equally Glee is a primetime series, he did non want to show them making out.[4] Interviewed by Brett Berk of Vanity Off-white in May 2010, Morris stated that Brittany and Santana were merely all-time friends, and the show would not be taking them in a "friends with benefits" direction.[5] Nevertheless, at the Television Critics Clan Summertime Printing Tour in August 2010, Murphy stated that the characters would in fact kiss on screen in an upcoming episode.[6] Falchuk afterwards explained that the Brittany/Santana storyline had begun "almost as a goof at first", however "then we realised this show is then inclusive, and so there were people we weren't representative of. This whole lesbian-bisexual female community. Nosotros're fortunate the network wasn't resistant of it and let u.s. try it out, and so it became something much deeper."[7] In "Duets", Brittany also had a cursory relationship with Artie. Morris told Jarett Wieselman of the New York Postal service that she is a fan of McHale's, and had been pressing Murphy to requite their characters a storyline together since the showtime of the flavour.[8]

Series regular Marking Salling did not appear in "Duets", which prompted media speculation that he would not render to the show due to a breach of contract. However, his absence was for artistic reasons, as it allowed Sam to establish himself inside the glee club and begin a relationship with Puck's ex-girlfriend Quinn.[9] Overstreet stated that Sam was initially created as a romantic interest for Kurt, but his storyline was adjusted to pair him with Quinn as a issue of the chemistry the producers detected between himself and Agron.[ten]

The episode featured embrace versions of seven songs: Ike & Tina Turner's "River Deep – Mountain High", Jason Mraz and Colbie Caillat'south "Lucky", Elton John and Kiki Dee's "Don't Go Breaking My Centre", "Le Jazz Hot!" from Victor Victoria, "Sing!" from A Chorus Line—which was Shum, Jr.'s commencement lead vocal operation on the series,[xi] Billy Preston and Syreeta Wright's "With You I'thou Born Once more", and a mash-upwardly of "Happy Days Are Here Again" and "Become Happy" as performed by Judy Garland and Barbra Streisand.[12] [13] Colfer and Michele's costumes and positions in the latter number matched those in the Garland and Streisand original.[14] Although it was not performed, Melissa Etheridge'southward "Come up to My Window" was suggested as a performance piece by Brittany;[14] five months prior to the episode's broadcast, Etheridge had jested that her songs were not "gay enough" for apply on Glee.[15] All of the songs except "With You I'yard Built-in Again" were released equally singles, bachelor for download.[sixteen] "River Deep – Mountain Loftier" and "Lucky" were besides featured on the fifth soundtrack album of the serial, Glee: The Music, Volume 4,[17] while "Don't Get Breaking My Heart" was included on the fourth extended play, Glee: The Music, Beloved Songs.[18]

Reception [edit]

Ratings [edit]

In its original broadcast, "Duets" was watched past 11.36 meg American viewers. It was the top-rated programme of the nighttime in the 18–49 demographic, equally it attained a 4.seven/xiii Nielsen rating/share.[xix] [20] Both viewership and ratings rose from the previous episode, "Grilled Cheesus", which was watched past 11.xx meg viewers and attained a four.half dozen/13 rating/share among adults 18–49.[21] In the weekly program rankings, Glee was the fourth most-viewed show among adults 18–49, and the second scripted evidence behind only Mod Family. In overall viewers, it placed nineteenth for the week.[22] In Canada, the episode was watched by 2.25 meg viewers, which placed it at seventh for the week.[23] Viewership again rose from the previous episode, which was watched by 1.99 meg viewers and ranked eleventh.[24] In Australia, "Duets" drew 1.04 one thousand thousand viewers, making Glee the ninth most-viewed testify of the nighttime and twenty-8th of the week.[25] Information technology was as well up from "Grilled Cheesus", which attracted one.02 1000000 viewers and ranked eleventh on the night, and 30-2nd for the week.[26] In the Uk, the episode was watched by 2.51 one thousand thousand viewers (two.11 meg on E4, and 397,000 on E4+1), which made information technology the well-nigh-watched show on E4 and E4+1 for the week, and the second well-nigh-watched show on cable for the week.[27]

Critical response [edit]

"You know how, in a perfectly sung duet, the two voices ebb and flow and twist and blend and play and elevator in a way that makes a wonderfully pure whole? That's sort of what Tuesday night's episode of Glee felt like to me. The plot and the music were in perfect balance. No one was being pushed out of grapheme by some tacked-on theme, facing the trauma of a dying parent, or tackling deep issues about the presence of a deity. Every fellow member of the choir was given a storyline and a voice."

—Amy Reiter of the Los Angeles Times on "Duets"[28]

"Duets" was generally well received by critics, many of whom assorted information technology favorably with the preceding season two episodes.[nb two] The New York Times 'south Rebecca Milzoff called it the best of the season to that point "in terms of onetime-school Glee",[33] and indeed, both Lisa Respers France of CNN and Jarett Wieselman of the New York Mail service found it a reminder of why they originally loved the show.[29] [30] Raymund Flandez of The Wall Street Journal summarized: "This was a return to that honeymoon feeling, when Glee kickoff surprised, scandalized and satisfied you."[34] Tv Guide 's Damian Holbrook and the Houston Relate 's Bobby Hankinson appreciated the lack of gimmicks; the onetime explained "No Britney numbers. No forced guest stars. No reasons to check out. Information technology'due south astonishing how satisfying a bear witness can be when the characters we invested in a year ago get to exercise something more than than set-wearing apparel a stunt."[31] [35] James Poniewozik of Fourth dimension labelled it "easily the strongest character episode so far this season".[36] While The Atlantic 's Kevin Fallon opined that the series finally achieved the correct "tonal balance of comedy and drama",[37] his colleague Meghan Chocolate-brown provided 1 of few dissenting reviews; she chosen it a lazy, nonsensical episode which contributed to a building "sophomore slump".[37] MTV's Aly Semigran establish it lackluster after "Grilled Cheesus",[38] and although Anthony Benigno of the Daily News deemed it an improvement on the previous episode, he concluded that it was not ane of the season's best.[39]

Several themes ran through the reviews, ane of which was the lack of focus on adult characters. IGN's Robert Canning—who rated "Duets" viii.5/10, signifying a great episode—felt that this contributed to its success, as it "allowed for modest but interesting character evolution to have identify, even with some of the minor characters."[32] Emily VanDerWerff of The A.V. Guild was surprised that she did not miss the presence of cheerleading charabanc Sue Sylvester,[40] but Hankinson, Semigran and Rolling Stone 's Erica Futterman all lamented her absence.[14] [35] [38] The gay-centered storylines too attracted much commentary. Christie Keith of lesbian and bisexual media website AfterEllen.com suggested that "Duets" was "the queerest episode of any series that's ever been on television".[ii] Amusement Weekly 'southward Tim Stack wrote that Kurt "stole the bear witness in terms of pure emotional power" and chosen him "the most of import character on television right at present".[41] United states of america Today 'south Ann Oldenburg questioned whether Glee had gone "too far" by depicting a physical human relationship between Santana and Brittany.[42] Several reviewers appreciated the resultant development of Brittany's character: Poniewozik enjoyed the exploration of her "basic loneliness",[36] East! Online'southward Jenna Mullins was pleased to see more than her usual "deadpanning and i-liners",[43] and Wieselman called it a "wonderful moment" when she and Artie broke upwards, which led to the depiction of "existent feelings" in Brittany for the first fourth dimension.[29] Canning plant Brittany and Artie'due south coupling "uneven" and preferred her with Santana, as their development made them "uniquely interesting and a blast to watch."[32] VanDerWerff conversely deemed Brittany's pairing with Artie "1 of the nigh resonant things the bear witness's ever done".[xl]

The storylines that involved Rachel received mixed commentary. Both Poniewozik and Stack appreciated the pairing of Rachel and Kurt: the sometime called them "probably the strongest pairing" of the episode due to similarities in their label,[36] and the latter lauded Rachel's line "I know yous're lonely...but you're not alone" as "an incredibly powerful argument coming in the midst of all these gay youth suicides[, which] further illuminates the relevance and importance of a show similar Glee."[41] Fallon said that the episode "added some flavour" to the relationship betwixt Rachel and Finn, which was "in danger of going stale",[37] and Berk noted that "Duets" was the first time he had always been "marginally compelled" by a storyline which involved the pair.[44] Benigno was far less favorable: he chosen Rachel a lunatic, and a "self-absorbed crazy woman who will do annihilation brusk of black-ops assassination to secure the [Nationals] trophy."[39]

Sam and Quinn'due south burgeoning relationship met with a adequately positive response. Canning would have preferred for them to get friends first,[32] and Benigno deemed their sexual tension unrealistic, based on Sam's success at charming Quinn in Na'vi, the fictional language of Avatar.[39] Notwithstanding, while Berk declared himself "fully wearied with the flimsy cheerleader/quarterback paradigm", Sam's Na'vi and Matthew McConaughey impression led him to concede that they are "cute together".[44] Stack and Mullins shared this sentiment,[41] [43] and VanDerWerff called their flirtation "exceptionally well-handled".[40]

Music and performances [edit]

In "Duets", Mike Chang (Harry Shum, Jr., pictured) gives his first featured vocal performance in a musical number.

The episode's musical performances—accounted "amidst the about varied and terrific in the show's history" by VanDerWerff[40]—were also generally well received. Futterman plant it refreshing for the main characters to receive equal performance time.[14] Although Poniewozik opined that some numbers were included based on iTunes sales potential rather than how well they served the plot,[36] Holbrook was pleased that the songs "drove the story instead of drowning out the characters",[31] and both Hankinson and Dave Itzkoff of The New York Times welcomed the contextually appropriate vocal selection.[35] [45] Opinions were divided over the best performance. Both Futterman and VanDerWerff felt that Mercedes and Santana should accept won the duet contest with their performance of "River Deep – Mount High". The former called information technology "one of the series' all-time" duets, and the latter further praised it every bit potentially "the all-time musical number the evidence'due south ever done from a pure performance standpoint."[14] [forty] Wieselman wrote that it was the best song of the episode, and that he "didn't want information technology to ever finish".[29] However, Hankinson highlighted its lack of "emotional dial",[35] and Semigran deemed information technology her to the lowest degree favorite performance.[38] She and Benigno named "Sing!" as their favorite routine, though Benigno gave it simply a "B" class, as its appeal hinged on Mike'due south dancing, rather than his vocal functioning.[38] [39] Berk gave information technology iv stars out of five, his highest rating of the episode, tied with "River Deep – Mountain Loftier".[44] Though Flandez and Hankinson also commented positively on the song, the sometime thought that Tina's sung interjections became annoying and the latter called it "far from the best of the evening".[34] [35]

Burns chose "Lucky" as "the most impressive number of the evening",[37] and Respers France called it the near adorable.[30] Semigran and the Los Angeles Times 'southward Amy Reiter agreed that information technology was cute,[28] [38] and Flandez praised its "charm and simplicity".[34] Stack and Benigno gave it an "A"; Stack eagerly predictable more duets betwixt Quinn and Sam,[41] and Benigno called information technology "admittedly fantastic", with item praise for Agron, who he opined is oftentimes overlooked.[39] Though Futterman also noted its charm, she did not think it was a worthy winner of the duets competition.[xiv] Berk gave information technology merely two stars out of 5, every bit he found information technology "kind of boring".[44] The mash-up of "Happy Days Are Here Over again" and "Go Happy" was widely acclaimed. Respers France, Reiter and Hankinson named it the musical highlight of the episode;[28] [30] [35] Fallon and Stack went farther and hailed it as a highlight of the entire series.[37] [41] Poniewozik commented that the number was "so appropriate that, had it not existed, Glee probably would take had to invent information technology".[36] Wieselman suggested that Colfer and Michele "redefined show-stopper" with their performance,[29] and Itzkoff lauded it equally "a powerful reminder of why it'south worth sticking with Glee through what has quickly proved a polarizing season."[45]

Of the remaining songs, Rachel and Finn's performance of "Don't Go Breaking My Heart" attracted praise for Monteith'south vocals, which Stack and Yahr commented "sounded meliorate than ever".[41] [46] "Le Jazz Hot!" received a dissever response. Burns wrote that Kurt "pulled information technology off flawlessly",[37] and Fallon called the performance "far more moving and rousing" than whatsoever of the songs in "Grilled Cheesus".[37] Stack and Benigno both graded it "B+"; the latter accounted information technology "very skilful" only "not transcendent".[39] [41] Reiter felt that the costumes and choreography overpowered the emotion of the piece,[28] and Futterman found the number "too self-indulgent and reminiscent of previous performances similar 'Rose's Plough'."[14] Berk rated it 2 stars out of five, and commented, "I get the idea, and the execution is commendable, only it still kind of sucked."[44] Rachel and Finn's deliberately offensive version of "With You I'm Born Again" received a "C" and "C+" from Benigno and Stack respectively. Both conceded that it was acceptable vocally, but every bit Stack acknowledged, "the point of this song was to hate it, and I gotta say, Glee: you played me like a fiddle."[39] [41] In December 2012, TV Guide named their rendition ane of Glee 'south worst performances.[47] Regardless of being a transport-upwards, Respers French republic constitute the number "oddly endearing".[30]

Chart history [edit]

All six of the cover versions released as singles debuted on the Billboard Hot 100, and appeared on other musical charts. On the Hot 100, the prove'southward rendition of "Lucky" debuted at number twenty-seven;[48] information technology was at number seventeen on the Billboard Canadian Hot 100.[49] The other v songs on the Hot 100 were "River Deep – Mountain High" at number forty-one, which also made number thirty-six on the Canadian Hot 100; "Happy Days Are Hither Again / Get Happy" at number twoscore-viii, which also made number fifty-five on the Canadian Hot 100; "Don't Go Breaking My Eye" at number fifty, which too made number thirty-one on the Canadian Hot 100; "Sing!" at number fourscore-7, which also made number 60-seven on the Canadian Hot 100; and "Le Jazz Hot!" at number 90-four, which also fabricated number eighty-eight on the Canadian Hot 100.[48] [49]

Cultural references [edit]

"Viewing Party", a November 2010 episode of The Office, centers effectually the unabridged Dunder-Mifflin staff gathering at a co-worker's apartment to watch this episode.[50]

Notes [edit]

  1. ^ This occurred in the season one episode "Theatricality".
  2. ^ These critics included:
    • Jarett Wieselman, New York Post: "After three somewhat underwhelming episodes, Glee hit a major high notation with terminal nighttime's 'Duets.'"[29]
    • Lisa Respers France, CNN: "Shout hallelujah, come up on and go happy, because Glee is dorsum to awesome! I've made no secret of the fact that I wasn't super thrilled by the last two Glee episodes, just on Tuesday nighttime I was reminded why I beloved this prove so much."[30]
    • Damian Holbrook, TV Guide: "For the 2d week in a row, the Tuesday night care for that was rapidly going from a striking to a 'huh?' nailed it with an episode that had—look for it—actual plot."[31]
    • Robert Canning, IGN: "After several weeks of 'upshot' television and some hitting-and-miss drama, Glee finally found its groove with 'Duets.'"[32]

References [edit]

  1. ^ Martin, Denise (September 21, 2010). "On Set: Keeping Up the Glee in Season 2". TV Guide . Retrieved September 21, 2010.
  2. ^ a b Keith, Christie (October thirteen, 2010). ""Glee" Episode 204 Recap: "Don't Go Breakin' Kurt and Brittany'south Hearts"". AfterEllen.com. Logo. Archived from the original on October 16, 2010. Retrieved Oct thirteen, 2010.
  3. ^ "'Glee's' Hot Girl-On-Girl Kiss!". Celebuzz. Buzz Media. Oct 13, 2010. Archived from the original on October 15, 2010. Retrieved October 13, 2010.
  4. ^ Voss, Brandon (Apr 27, 2010). "Heather Morris: It's Brittany, Gleeks!". The Abet. Hither Media. Archived from the original on January xiii, 2011. Retrieved October thirteen, 2010.
  5. ^ Berk, Brett (May vi, 2010). "Glee's Heather Morris Would Love to Sing a Lesbian Duet of Prince's "Reckoner Blueish"". Vanity Fair. Condé Nast Publications. Retrieved Oct thirteen, 2010.
  6. ^ Goldberg, Lesley (August 3, 2010). "Ryan Murphy and Jane Lynch discuss "Glee" season 2". AfterEllen.com. Logo. Retrieved October thirteen, 2010.
  7. ^ Wilkes, Neil (July 24, 2011). "Comic-Con 2011: 'Glee' panel - Live Blog". Digital Spy. Hachette Filipacchi UK. Retrieved August 5, 2011.
  8. ^ Wieselman, Jarett (October 13, 2010). "Heather Morris: I love Brittany as much as the fans practise!". New York Postal service. Archived from the original on October 13, 2010. Retrieved Oct 13, 2010.
  9. ^ Adly MacKenzie, Carina (October xiii, 2010). "'Glee': Mark Salling is however a regular and Puck will be dorsum". Zap2it. Tribune Media Services. Archived from the original on August 28, 2012. Retrieved October 13, 2010.
  10. ^ "AUDIO: Glee'due south Chord Overstreet Says 'Sam' Went From Gay To Straight". RadarOnline. October 13, 2010. Retrieved October 13, 2010.
  11. ^ Ausiello, Michael (September 29, 2010). "Ask Ausiello: Spoilers on 'Glee,' 'Grey's,' 'Weeds,' '30 Rock,' 'Bones,' 'Smallville,' and more!". Amusement Weekly. Time Inc. Archived from the original on October 1, 2010. Retrieved September 29, 2010.
  12. ^ Lyons, Margaret (October 4, 2010). "'Glee' duets: Yay for more 'Chorus Line'". Amusement Weekly. Time Inc. Retrieved Oct 4, 2010.
  13. ^ Nepales, Ruben V. (September 30, 2010). "PDI visits 'Glee' set". Philippine Daily Inquirer. Asia News Network. Archived from the original on Oct ii, 2010. Retrieved September 30, 2010.
  14. ^ a b c d east f g Futterman, Erica (Oct 13, 2010). "Glee' Playback: Duets Dazzle". Rolling Stone. Archived from the original on August 3, 2011. Retrieved Baronial 5, 2011.
  15. ^ "Melissa Etheridge: My Songs 'Aren't Gay Enough' for 'Glee'". HuffPost. July 17, 2010.
  16. ^ "Glee Cast". iTunes Store . Retrieved October 11, 2010.
  17. ^ "Glee: The Music, Volume 4 Available November 30" (Printing release). PR Newswire. November 9, 2010. Retrieved August one, 2011.
  18. ^ "Glee: The Music, Beloved Songs (Target Exclusive)". Billboard. Prometheus Global Media. Retrieved Baronial 1, 2011.
  19. ^ Gorman, Neb (Oct 13, 2010). "Tuesday Finals: Glee, Dancing With The Stars Adapted Up; Detroit 1-8-7, The Skillful Wife, Raising Hope, Running Wilde, Life Unexpected Down". TV by the Numbers. Archived from the original on October 17, 2010. Retrieved October xiii, 2010.
  20. ^ Rice, Lynette (October 13, 2010). "CBS ties Play a trick on on Tuesday for offset fourth dimension this season in key adult demographic". Entertainment Weekly. Time Inc. Archived from the original on October 15, 2010. Retrieved Oct 13, 2010.
  21. ^ Seidman, Robert (October 6, 2010). "Tuesday Finals: Glee, No Ordinary Family unit, NCIS, Dancing, Parenthood Upwards; Raising Promise, Detroit 1-8-seven, Running Wilde Downward". TV by the Numbers. Archived from the original on November 6, 2010. Retrieved October six, 2010.
  22. ^ Seidman, Robert (October 19, 2010). "TV Ratings Broadcast Top 25: Mod Family unit, Glee, Grey's Anatomy, Glee, Sunday Night Football, DWTS, NCIS Top Week 4 Viewing". TV past the Numbers. Archived from the original on October 22, 2010. Retrieved November 1, 2010.
  23. ^ "Top Programs - Total Canada (English): October 11 - Oct 17, 2010" (PDF). BBM Canada. Archived from the original (PDF) on August 28, 2012. Retrieved Nov 1, 2010.
  24. ^ "Top Programs - Total Canada (English): October four - Oct 10, 2010" (PDF). BBM Canada. Archived from the original (PDF) on Nov 21, 2010. Retrieved November 1, 2010.
  25. ^ Dale, David (October 25, 2010). "The ratings race: Week 44". The Sydney Morning Herald. Fairfax Media. Retrieved November xi, 2010.
  26. ^ Dale, David (October 18, 2010). "The ratings race: Week 43". The Sydney Morning Herald. Fairfax Media. Retrieved Feb vii, 2011.
  27. ^ "Weekly Tiptop 30 Programmes". Barb. Retrieved February 14, 2011.
  28. ^ a b c d Reiter, Amy (Oct 13, 2010). "'Glee' epitomize: Dueting for breadsticks". Los Angeles Times. Tribune Company. Retrieved October 13, 2010.
  29. ^ a b c d e Wieselman, Jarett (October 13, 2010). "Happy days are here again on 'Glee'". New York Post. Archived from the original on November 29, 2011. Retrieved Baronial 5, 2011.
  30. ^ a b c d e Respers French republic, Lisa (October 13, 2010). "Happy days are here again on 'Glee'". CNN. Retrieved Baronial 6, 2011.
  31. ^ a b c Holbrook, Damian (October thirteen, 2010). "Watercooler: Glee Duets It Right". Idiot box Guide . Retrieved August five, 2011.
  32. ^ a b c d Canning, Robert (October thirteen, 2010). "Glee: "Duets" Review". IGN. Retrieved August 5, 2011.
  33. ^ Itzkoff, Dave; Milzoff, Rebecca (October 27, 2010). "Late-Night Double Feature: The 'Rocky Horror Glee Show' Reconsidered". The New York Times . Retrieved Baronial 5, 2011.
  34. ^ a b c Flandez, Raymund (Oct 12, 2010). "'Glee,' Season ii, Episode 4, 'Duets': TV Recap". The Wall Street Journal . Retrieved August 5, 2011.
  35. ^ a b c d e f Hankinson, Bobby (October xiii, 2010). "Glee: "Duets" brings happy days here over again". Houston Chronicle . Retrieved August five, 2011.
  36. ^ a b c d e Poniewozik, James (October xiii, 2010). "Glee Watch: It Takes 2". Fourth dimension. Fourth dimension Inc. Retrieved August half-dozen, 2011.
  37. ^ a b c d east f g Burns, Patrick; Fallon, Kevin; Dark-brown, Meghan (October 13, 2010). "'Glee': Hitting a High Note, or a Sophomore Slump?". The Atlantic. Atlantic Media Company. Retrieved August 5, 2011.
  38. ^ a b c d eastward Semigran, Aly (October xiii, 2010). "'Glee' Recap: Episode 25, 'Duets'". MTV. Retrieved October 13, 2010.
  39. ^ a b c d eastward f g Benigno, Anthony (October 13, 2010). "'Glee' 'Duets' recap: Episode 25 sees Brittany and Santana have girl-on-girl brand out session in bed". Daily News. New York City. Retrieved October 13, 2010.
  40. ^ a b c d e VanDerWerff, Emily (October 13, 2010). "Duets". The A.Five. Club. Onion, Inc. Retrieved July 21, 2019.
  41. ^ a b c d due east f g h Stack, Tim (October xiii, 2010). "'Glee' recap: Duo the Right Thing". Entertainment Weekly. Time Inc. Retrieved August 5, 2011.
  42. ^ Oldenburg, Ann (October xiii, 2010). "'Glee' cheerleaders share 'sugariness lady kisses'". USA Today. Gannett Company. Retrieved October xiii, 2010.
  43. ^ a b Mullins, Jenna (October 12, 2010). "Glee-Dux: Who Got Together? Who Broke Up? Plus, Ryan Murphy Teases What's Ahead". E! Online. NBCUniversal. Archived from the original on January 22, 2013. Retrieved August 5, 2011.
  44. ^ a b c d e Berk, Brett (Oct 13, 2010). "The Gay Guide to Glee: Season 2 Episode 4, "Duets"". Vanity Fair. Condé Nast Publications. Retrieved August 5, 2011.
  45. ^ a b Itzkoff, Dave (October 13, 2010). "'Glee': It Takes Two (or Sometimes Just One)". The New York Times . Retrieved August 5, 2011.
  46. ^ Yahr, Emily (October 13, 2010). "'Glee' episode iv: We watch so you don't take to". The Washington Mail . Retrieved Baronial 5, 2011.
  47. ^ "The Best and Worst Glee Performances (So Far!)". TV Guide. December 26, 2012. Retrieved Apr 13, 2013.
  48. ^ a b Summit chart positions for season two singles in the United States: "River Deep – Mountain High", "Lucky", "Don't Go Breaking My Heart", "Le Jazz Hot!", "Sing!", and "Happy Days Are Here Again / Go Happy" "Hot 100: Week of October thirty, 2010 (Biggest Leap)". Billboard. Prometheus Global Media. Retrieved June 9, 2011.
  49. ^ a b "Canadian Hot 100: Calendar week of October 30, 2010 (Biggest Bound)". Billboard. Prometheus Global Media. Retrieved June 9, 2011.
  50. ^ Martin, Denise (Nov 12, 2011). "How Many Laughs Did The Office Mine From Its Glee Viewing Party?". TV Guide . Retrieved December 24, 2011.

External links [edit]

  • "Duets" at Fob.com
  • "Duets" at IMDb

hillsubtal.blogspot.com

Source: https://en.wikipedia.org/wiki/Duets_%28Glee%29

0 Response to "Rachel and Finn Duet Born Again"

Enregistrer un commentaire

Inscription à : Publier les commentaires (Atom)

Iklan Atas Artikel

Iklan Tengah Artikel 1

Iklan Tengah Artikel 2

Iklan Bawah Artikel